The Cure On Track - Matthew R Davis

Few bands can claim anything like the longevity, sincerity, and sheer creative breadth of The Cure. From their beginnings as literate punks through their early bleak masterpieces that ended with Pornography (1982), to the pop years that followed and their worldwide success with the mercurial Kiss Me, Kiss Me, Kiss Me (1987) and the monolithic Disintegration (1989), they have built a reputation as idealistic iconoclasts and sustained a dearly devoted audience that hangs on Robert Smith's every impassioned... Zobrazit více