The Divine Comedy - Dante Alighieri

When Michael Palma’s translation of the Inferno appeared in 2002, it defied the conventional wisdom of literary commentators who had long argued that Dante’s intricate terza rima form simply could not be rendered in “rhyme-poor” English. But Palma’s achievement in rhyming tercets was quickly received as a spectacular feat of poetic artistry. Now, more than two decades later, Palma has applied the same virtuosic attention to the form and flow of the Purgatorio and Paradiso, attending to... Zobrazit více